Oh wow, just saw adds for this fantastic art series starting on the weekend, sounds like heaven

to me
Civilisations (2018)
The title is a reference to Civilisation, the series written and presented by Kenneth Clark almost fifty years ago. That landmark offered one man's personal view of western European civilisation, from the end of the Dark Ages onwards. It was partly conceived by David Attenborough to demonstrate the potential of colour television. The new series ranges more widely, featuring African, Asian, American, as well as European cultures to explore how human creativity began and developed, how civilisations around the world influenced one another and how artists have depicted the human form and the natural world. For each presenter, the series provides powerful and moving firsthand encounters with art. David Olusoga travels to Nigeria to see the technique behind the Benin Bronzes which he was taken to see in the British Museum as a child. Mary Beard climbs one of the Colossi of Memnon in Egypt which she says she has waited half her life to see up close. In Japan, Simon Schama apologises for his shaking hands as he examines an image he describes as almost perfect...
David Olusoga, Mary Beard, Simon Schama
Series, 2018, Arts & Culture, Documentary, Historical, Society & Culture
Civilisations
'The Second Moment Of Creation'
SBS, 7:30pm, Sat, 1 Dec 2018, 65 minutes
NEW SHOW
Simon Schama looks at the formative role art and the creative imagination have played in the forging of humanity itself. The film opens with Simon's passionate endorsement of the creative spirit in humanity and the way in which art can help to forge the civilised life.
David Olusoga, Mary Beard, Simon Schama
Series, 2018, United Kingdom, English, Documentary, Arts & Culture, Historical, Society & Culture
Civilisations
'How Do We Look?'
SBS, 7:30pm, Sun, 2 Dec 2018, 70 minutes
NEW SHOW
Professor Mary Beard explores images of the human body in ancient art, from Mexico and Greece to Egypt and China. Mary seeks answers to fundamental questions at the heart of ideas about civilisations. Why have human beings always made art about themselves? What were these images for? And in what ways do some ancient conventions of representing the body still affect us now?
David Olusoga, Mary Beard, Simon Schama