"Beowulf" in 3D is AWESOME.
I just want to say that first, and loudest, before I start with the criticisms. It was the first 3D movie I have seen and it was fantastic.
Animation acting is one of the hardest challenges for an actor, as it is just themselves, alone in a room, acting to locations marked by dots that will become other actors and animations in the movie. Very, very few actors can perform well without any cues.
John Malcovich and (big surprise for me) Angelina Jolie were the only stars in this film that were consistently shining. They both stayed in character and moved brilliantly and naturally the whole time. Malcovich's Unferth kept winking, blinking and thinking just as he ought, and Angelina almost bringing tears to my eyes as a believable grieving mother, in an unbelievable situation.
Ray Winstone (Beowulf) had some good scenes, and Robin Wright Penn (the queen) acted well in a self-contained kind of way, (only fell down in the interactions with other characters), but on the whole, the acting was wooden, with no less a thespian than Sir Anthony Hopkins as the biggest stick.
Part of this might be the CGI- there were lots and lots of corners cut, presumably to speed the movie to the big screen, and transfer it easily to play stations, t-shirt transfers and moulded plastic figurines with ease. As a result, there is a generic quality to most of the minor characters, many of them obviously having less time spent on their entire existence throughout the movie, than was lavished on the left nipple of Grendel’s mother in a single scene (in glorious 3D).
The original poem is massacred by Christian and historical revisionism, although there are only a few changes to the plot and these are understandable and well explained, with interesting conceits like the play within the play. Still, if you are a student of antiquities, you will identify with Grendel at this celebration of animation.
Of course, if you are a 20th century Christian or Pagan, there is a lot of symbolism to provide food for thought. Neither religion is treated particularly reverently.
The animation was designed to appeal to people 14-24 years old, I think. There were a few parts where I embarrassed myself by inadvertently laughing out loud at scenes that the rest of the audience greeted with awe or indifference.
There is a running joke with Beowulf's penis along the lines of the Simpsons Movie, and the Simpsons episode where Marge paints Mr Burns. The scene where Beowulf meets Grendel’s mother was over-the-top, insanely sexy, with Angelina impossibly gorgeous and shining in CGI glory. There are battle scenes involving rear ends and flag-poles in 3D.
The 3D was stunning. In retrospect, I can also say it was gimmicky, lots of arrows flying out of the screen at you, and stone bridges crumbling away beneath you, as you would expect. Again, I suspect that time, rather than ability, limited what the animators did with the 3D. There were some signs that more imaginative concepts had been dumped because they were too time-consuming, and were not related to sex.
The score was truly horrible. The songs were thin and twee, each very much like the next, and all very dirge-like and not very original. Sixth century Scandinavian music would sound quite odd to our ears, but this is quite familiar - think ring tones, play station, ipod and cash register.
Still, all in all, and in spite of the plot, the acting, the clichés, the soundtrack, the misrepresentations, this was an enthralling movie for every minute it was on the screen.
It is going to look absolutely silly and laughable when you see it on TV in 2017 or even on DVD in 2008.
See it in 3D at the Imax while you can.